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Wednesday, November 2, 2011

Indiana Jones and the Kingdom of the Crystal Skulls (2008)

Usually when you hear that a movie was in development stages for nearly twenty years, this means that should be avoided. After all, something clearly wrong, but the Hollywood studios are not willing to throw money at it.

In the case of the new Indy film, however, the anticipation alone was enough to attract the crowds. Temple Of Doom can be represented in the bitter blip in the middle of the original trilogy, but the franchise, and the figure is still much loved by audiences around the world. Who would not want to see again the whip and trademark Fedora?

As it turns out that delays in this film is nothing to do with the studio execs this time - it came down to a conflict between the three main players: director Steven Spielberg, George Lucas, producer and actor Senior Harrison Ford. Lucas had come with a story about ancient alien artifacts - Ford said bluntly that he does not want to be in a B-movie of the 50 foreigners, however, as Spielberg thought he had already exhausted the strange science-fiction genre.

And then it took 19 years for Indiana Jones and the Kingdom of the Crystal Skulls to appear after the huge success of The Last Crusade.

What finally put the ball in motion? Well, you could say it was a smart script, the merger of the story more credible foreigner with an atmosphere of cold war, the return of an old love interest, and a twist on the father-son of the previous film.

Or it may simply be the son of Steven Spielberg asked him to do a sequel and not allow the child down - take your pick.

The film opens in 1957 with Soviet agents to enter Hangar 51 in Nevada, the warehouse where the remains of the Roswell UFO allegedly incurred. These dastardly Russians force Indy and his sidekick Mac (Ray Winstone) for help in finding the box where the foreign body is stored (look for a glimpse of the Ark of the Covenant in the store too - I think that's it ended at the end of Raiders of the Lost Ark).

Indy releases and escapes, but it seems that the Mac has really worked for the Soviet Union (led by Cate Blanchett as Irina Spalko seriously) - clearly no one expected to be reliable Ray Winstone. Fortunately, Indiana is able to leave the warehouse in one piece, thanks to a rocket sled on hand, but he ends up in the middle of the area of ​​nuclear tests. Only lead-lined refrigerator to save it - but now I live, you should use the skin of his teeth.

Indy then questioned by the FBI because of his involvement with the Russians, but ultimately it is allowed to return home, where he is forced to take leave of his college because of the involvement of the FBI (search for Jim Broadbent as the head of the College - unfortunately Denholm Elliott died in 1992, but not in Broadbent confidence in his shoes).

As he prepares to leave the City of Indianapolis approached by a young greaser on a motorcycle, which tells Mutt (Shia LaBeouf plays, his hair slicked back correctly). Mutt was raised and educated by Harold Oxley (John Hurt), a former associate of Indy - Oxley has disappeared while searching for 'Crystal Skulls' the mythical Peru.

I think that leaves Indy with no choice but to travel in Peru, now, is not it ...

We will not in the plot, because we do not want to give one of its surprises - this film is still too new to be giving away spoilers. You can be assured that there are many fights, but a car chase or two, and even some scary creatures for Indy to be processed. It's still an Indiana Jones movie by-and-through, so you know what to expect.

Was it worth the wait nineteen? Well, yes - but never mentioned with the same kind of affection that Raiders of the Lost Ark

There is much to love in the Kingdom of the Crystal Skulls, and many of us, it's just good to see Indy back on the big screen (and note that Lucas has managed not to blow it this time) . Moving the action to the movement of 1950 is also intriguing, and the combination of paranoid Cold War, nuclear testing and the widespread belief in aliens provides a colorful backdrop for the new action.

The transition from the 50's is also a sign of its impact - it could easily dyed hair, and Ford has tried to pretend it was an old Indy again, and the activity was '30. In contrast, however, the aged, mellowed him - then a new, younger characters to put a little 'vim and vitality back into the movie.

For those of you who are familiar with your trivia Indiana Jones, Mutt's name in a funny joke: Indiana was named after a dog, Lucas owned in 70 years, Willie was in the Temple of Doom named by Cocker Spaniel Round Spielberg, and Short was named after screenwriter Willard Huyck dogs. It seems apt that the new character should be called Mutt - I think we find that it is named after Harrison Ford pet chihuahua any day now.

The film is not without its flaws, though. Even if the alien storyline works to a certain extent, it goes a little 'too far in the final sequences, and one can not help feeling that in this case, less really would have been more - it's like if George Lucas wants to show us all in advance, and leave nothing to the imagination.

Ford is missing some of its original brightness as well, and if it is commendable that still has most of its waterfalls (rather than relying on CGI double doubles rubber tips, how Hollywood is currently going) not reflect the same eyes that were accustomed to twenty years ago. Even some of the jokes fall a little flat, and I can not help thinking that the past perfect Indy.

That said, we are still happy he's back, if only so you can feel the overwhelming theme song for the last time. Kingdom of the Crystal Skulls by no means a perfect film, but still a fun, action-packed, full of laughter for two hours - and is more than can be said of many modern blockbusters.

It 'was only the second biggest Memorial Day Weekend opening ever - so perhaps this is not Indy's last outing, after all ...

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